Red'|《青春变形记》：谁能拒绝一只毛茸茸的小熊猫呢？( 二 ) the|变形记|she|青春|panda|小熊猫

This is where "Turning Red" gets sticky: Though the plot's red panda magic is rooted in its characters' cultural traditions (the Lees honor an ancestor who defended her family with the power of a red panda), these details aren't enough to absolve the film of its kid-friendly version of exoticism.
这就是《青春变形记》让人感到难以评价的地方：尽管剧情中小熊猫的魔力源于人物的文化传统（李氏家族敬拜一位利用小熊猫的力量保护家人的祖先），但这些细节还是会让人觉得电影中的这种异国法术有些幼稚。
And when it comes down to the movie's conflict, the antagonists are the women in Mei's family. Or, more accurately, the suffocating cultural traditions and familial expectations that are embodied by the women. Is the film tackling the stereotype or fulfilling it? The line is too blurry to tell. By the end, a bit of understanding, empathy and a pandapocalypse reassure us that the stoic Asian dames aren't the source of the problem but also victims, like Mei. Though I wonder what the movie would look like if the conflict wasn't enacted solely in the form of these women.
而在电影冲突这块，电影主要的“反派”是小美家族中的那些女性。或者，更准确地说，是这些女性所代表的令人窒息的文化传统和家庭期望。所以这部电影到底是在反抗固有观念还是在迎合它？这条界线太过模糊，难以界定。到最后，一些理解、共情和一场“熊猫末日”大灾难使我们确信，那些坚忍不拔的亚裔女性并不是问题的根源，她们和小美一样，也是受害者。虽然我很想知道，如果不通过这些女性来表达冲突，这部电影会是什么样子。
It's too bad that "Turning Red" fumbles its storytelling, but at the very least it has fun when it lets its fur fly.
可惜《青春变形记》的故事没有讲好，不过至少小熊猫的皮毛飞扬的时候还是很可爱的。
#青春变形记之小熊#