yin|虎拍艺术网 唐寅字画
唐寅(1470—1523),字伯虎,一字子畏,号六如居士、桃花庵主、鲁国唐生、逃禅仙吏等,据传于明宪宗成化六年庚寅年寅月寅日寅时生,故名唐寅。汉族,吴县(今江苏苏州)人。他玩世不恭而又才气横溢,诗文擅名,与祝允明、文征明、徐祯卿并称“江南四才子”,画名更著,与沈周、文征明、仇英并称“吴门四家”。Tang Yin (1470 - 1523), the word tiger, the word awe, the number six like the living, the Tao Hua ununery, the Tang Sheng in the Lu state, the fleeing Zen immortals, and so on, was rumored to be Tang Yin, who was born in Yin, Yin, Yin, Yin, Yin and Japan in the six years of the Ming Dynasty. Han, Wuxian (now Jiangsu Suzhou) people. He is cynical and talented, with a good name, with Zhu Yunming, Wen Zhengming, Xu Zhenqing and called "the four talent in the south of the Yangtze River", with more famous paintings, with Shen Zhou, Wen Zhengming, Qiu Ying and "Wu gate four".唐寅足迹遍布名川大山,胸中充满千山万壑,这使其诗画具有吴地诗画家所无的雄浑之气,并化浑厚为潇洒。 工诗文,其诗多纪游、题画、感怀之作,以表达狂放和孤傲的心境,以及对世态炎凉的感慨,以俚语、俗语入诗,通俗易懂,语浅意隽。【 yin|虎拍艺术网 唐寅字画】

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Tang Yin's footsteps are all over the mountains of Sichuan, and his chest is full of mountains and valleys. This makes his poetry and painting possess the vigorous spirit of Wu's painters, and is full of elegance. The work of poetry and prose, his poems with a multi - disciplinary tour, a painting, and a feeling of feeling, expresses a wild and aloof mood, as well as the feeling of the inconstancy of the world.他的山水画大多表现雄伟险峻的重山复岭,楼阁溪桥,四时朝暮的江山胜景,有的描写亭榭园林,文人逸士优闲的生活。山水人物画,大幅气势磅礴,小幅清隽潇洒,题材面貌丰富多样。笔墨细秀,布局疏朗,风格秀逸清俊。人物画多为仕女及历史故事,师承唐代传统,线条清细,色彩艳丽清雅,体态优美,造型准确;亦工写意人物,笔简意赅,饶有意趣。其花鸟画,长于水墨写意,洒脱随意,格调秀逸。除绘画外,唐寅亦工书法,取法赵孟頫,书风奇峭俊秀。诗画映发,对象的神态和画家的情趣融为一体,寄寓了超凡脱俗的思想。这幅画在画法上属小写意,一路运腕灵便,以书法人画,以写代描,笔力雄强,造型优美,全画笔墨疏简精当,行笔挺秀洒脱,形象饶有韵度,从中可以窥见唐寅在探讨写意技法和开拓花鸟画新境界方面的卓越建树。Most of his landscape paintings show the majestic and precipitous mountain and complex mountains, pavilions and Creek bridges, four dumming rivers and mountains, some depiction of Pavilion pavilions, and the leisurely life of literati and literati. The landscape painting is huge and magnificent. It is small and clear. The writing is delicate, the layout is sparse and the style is elegant and handsome. The figure painting is mostly an official woman and a historical story, with the Tang Dynasty tradition, the lines are fine, the color is beautiful and elegant, the style is beautiful and the shape is accurate. Its flower and bird painting is longer than ink and wash freehand brushwork. In addition to painting, Tang Yin also works calligraphy and takes Zhao Mengtiao. Poetry and painting reflect the essence of the object and the artist's temperament and interest. This painting is a little freehand painting in the painting method. It is a handset, a handwriting style, a writing generation, a strong style, a graceful style, a fine brush and a fine brush, a fine brush and a fine style, and a rhyme image. From it, it can be seen in Tang Yin's outstanding achievements in exploring freehand techniques and opening a new realm of flower and bird painting.
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