山丘|静谧之所｜山丘之下的住宅山丘

项目的起源来自像这样的环境所发出的微妙的低语，这些低语被仔细聆听，以及来自客户寻求庇护的需求。
The idea that originated this project came from the subtle murmurs whispered by an environment like this, which were carefully listened to, and from the client’s search for protection and shelter.

本文图片

本文图片

人如何才能感受到被保护？当人感到脆弱时，可以做些什么？这个问题总是伴随着一帧画面，或是一段记忆：一个受惊的孩子用一张薄床单盖住自己，他向外看，以确保他能看到周围发生的事情。用床单遮盖是一种基础的保护行为，这是一种心理暗示：即床单可以隐藏，保护，包裹并在下面创造一个如此安全和亲密的空间，以便能够远离房间周围的任何精神，幽灵或恶魔。项目在被包裹的美丽的土地周围形成了一座新的“山丘” 。
How can one feel protected? and in any case, what can be done when feeling vulnerable? This question was accompanied by an image or perhaps a memory: that of a frightened child covering himself with a light bed sheet as he looks out to make sure he sees what is going on around him. Pulling a bed sheet to cover up is a very elemental act that alludes to the most basic part of the self; a bed sheet hides, protects, wraps, and creates a space underneath so safe and intimate that it is able to keep away any spirit, ghost, or demon that may be surrounding the room. At the same time, it generates a continuity in the beautiful living surface around the land, forming a new hill in a place already surrounded by many of them.

本文图片

本文图片

在这样的环境里，建筑应该是诗歌的重音，逗号，或是问号，但它永远不应该是诗歌本身。因为这首诗已经由松树，橡树，甜金合欢，萤火虫，道路，篱笆，邻居的水井，大地，果园和夜莺谱写完成。
The architecture should be in this case an accent on the words of the poem, a comma, or in any case a question mark, but it should never be the poem itself. The poem is already given by the pines, the oaks, the sweet acacia, the fireflies, the road, the fence, the neighbor’s water well, the earth, the orchard, and the nightingale.

本文图片

本文图片

诗歌中的重音是四堵混凝土墙，出其不意地从风景中浮现出来;其中两面支撑起这座新山丘的土地，形成了仿佛抬起的“床单”一般的地形，另外两面围合成入口通道，护送客人进入房屋。
Such accents in the poem were four concrete walls that emerged surprisingly from the landscape; two of them bear the land of this new hill that was created by raising the bed sheet, and two others frame the access and escort the guests on their way into the house.

本文图片

▽两面混凝土墙构成的通道

本文图片