山丘|静谧之所｜山丘之下的住宅( 二 ) 山丘

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这条通道足够宽，可以一人独自舒适地行走，但又足够狭窄，无法结伴而行。游客被孤独地投入这段朝圣之旅，通往一棵老树，其存在感如此之大，以至于需要用柔和的曲线扭曲其中一面墙的弧度，以便人们可以从它旁边擦肩而过。
This path is wide enough to walk it comfortably alone but narrow enough not to be able to do it accompanied. Visitors are cast into a pilgrimage in solitude that leads to an old tree with such a significant presence that it was necessary to distort the linearity of one of the walls with a gentle curve to be able to pass next to it…so close that it is even possible to graze it.
▽狭窄的通道使游客与老树擦肩而过

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走过老树，走下几道坚固的石阶，打开一扇沉重的钢门，一个混凝土拱顶矗立在那里，支撑着上方绿色的“床单” ，让人仿佛身处于一个寒冷，黑暗但舒适的洞穴之中。
After crossing the tree threshold, going down a few solid pearled stone steps, and opening a heavy steel door, a concrete vault stands there, supporting the loads of the green bed sheet that rests on it; it gives a sensation of being inside a cold, dark, but strangely cozy cave.

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混凝土之所以被选为主要材料，是因为它能与森林相互作用并改变颜色，由灰色变为绿色、黑色和黄色，逐渐融入环境。地板采用木材，旨在还原被松树包裹时的香气，并平衡混凝土的冷调。最后，钢材的选用是因为随着时间的推移和降雨，它将会获得树皮一般的外观。
Concrete was chosen as the main material because of a dream of this new rock melting while inevitably interacting with the forest, changing colors… grays that turned to greens, blacks and yellows that were gradually incorporated into the environment. The flooring would emphasize the aroma of wood that is perceived when surrounded by pine trees, giving balance to the cold temperature of the concrete; and finally, the steel took place because with time and rainfall, it acquires an appearance like tree bark.
▽室内以混凝土和木材作为主要材料

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▽卧室

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至于空间组织，房子的左侧是完全暴露在树木繁茂的峡谷中的公共区域，右侧是略微向庭院开放的私密区域，可以看到天空和少许树梢，但相对更封闭。
As for the spatial organization, on the left side of the house are the public areas completely exposed to the wooded ravine, and on the right side the private areas open more timidly to a courtyard that allows to see the sky and the top of some trees but that closes a bit towards the outside.
▽公共区域

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