l论清代山水楼阁界画，还看袁江“绿野堂图”

袁江(1662年—1735年)，字文涛，号岫泉，清康、雍时期最杰出的界画家，是中国绘画史上有影响画家，宫廷画家，专攻山水楼阁界画，可称“清朝画坛界画第一人”，“且“袁江”山水楼阁界画自成一家，别具一格一直独树一帜于清代画坛，袁江的山水楼阁界画，既精细入微，又波澜壮阔，奇伟磅礴，将雄伟壮阔的山水与金碧辉煌的建筑，很自然的融为一体，而“绿野堂图”正是袁江笔下经常的题材之一，以下是出自于“袁江绿野堂图”赏析。
Yuan Jiang (1662-1735), the most outstanding boundary painter in the Kang and Yong periods of the Qing Dynasty, is an influential painter in the history of Chinese painting, a court painter, specializing in landscape pavilion boundary paintings, which can be called "the first person in the field of painting in the Qing Dynasty", "and" Yuan Jiang"landscape pavilion boundary paintings are unique in the field of painting in the Qing Dynasty. Yuan Jiang's landscape pavilion boundary paintings are both delicate and subtle. It is also magnificent and magnificent. It naturally integrates magnificent landscapes with magnificent buildings. The "Green Field Hall" is one of the themes often written by Yuan Jiang. The following is an appreciation of the "Green Field Hall of Yuan Jiang".
袁江“绿野堂图” Yuan Jiang's "Green Field Hall"
长：152.7cm 宽：79cm
L：152.7cm W：79cm
“绿野堂”是一处历史上有典故的建筑物。它是唐朝著名宰相裴度的私人园林。他晚年退休至洛阳，在城郊建了园林，以“绿野堂”命名。他在庄园中宴请容留宾客，与会者皆以此为荣，一时传为佳话。袁江所画的“绿野堂”，都是环境优美，建筑精致的场所，应当是他按照当时见到的南方园林建筑融会综合而画成的，既属于想象的产物，又有实际的建筑物为蓝本。
"Green Field Hall" is a building with historical allusions. It is the private garden of Pei Du, a famous Prime Minister of the Tang Dynasty. In his later years, he retired to Luoyang and built gardens in the suburbs, named "Green Field Hall". He hosted a banquet at the manor, and the participants were proud of it. It was a good story for a moment. Yuan Jiang's "Green Field Hall" is a place with beautiful environment and exquisite architecture. It should be a combination of the southern landscape architecture he saw at that time. It belongs to the product of imagination as well as the actual building as the blueprint.

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此幅“绿野堂图”是袁江在康熙六十一年所画的作品，题识为“壬寅清和月、仿郭忠恕意、画于绿野堂、邗上袁江。”画上有气势磅礴的山林，还有造型严谨准确的亭台楼阁，线条舒展流畅，尺度宏大，形态稳定，整张画作看起来既自然又生动，无论是建筑还是山水都刻画得各尽其美，精细非凡，是袁江早期巅峰作品之一。
This "Green Field Hall" was painted by Yuan Jiang in 61 years of Kangxi. It is inscribed as "Ren Yinqing and Yue, imitating Guo Zhongshuiyi, painting in Luyetang and Hao Shang Yuanjiang". There are magnificent mountains and forests, pavilions and pavilions with precise and precise shapes, smooth lines, grand scale and stable shape. The whole painting looks natural and vivid. It is one of the peak works of Yuan Jiang in his early years, both in architecture and landscape.

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此幅“绿野堂图”图中所作楼阁建于山林中，隐于丛林之中，有古木、苍松等，蓬勃繁茂，掩映成趣、生机盎然，洋溢着顽强的生命力。屈曲的枝干应当是受宋人影响，点叶之法比起其前期更为轻松自然、繁而不乱。图中人物，两两成群，论道、观景，神态自若，气质高雅，本为点景之用，却起到了点睛之妙。衣冠、须发用笔劲细流畅。